Francien van Daalen on conservation
I never cease to be fascinated by the art of conservation and restoration, even after so many years. This is because every object is different and has a unique history, requiring specialised, tailor-made treatment to achieve the optimum conservation/restoration results. And since each object is unique, conservation is about care and taking the time needed. Giving space to this constant process of fine-tuning of my experience and skills relating to the object, is for me, the greatest source of stimulation in my profession. As a result, I welcome and encourage continual research in my studio, and an openness to new ideas.
My studio, Van Daalen Conservation, is the place where I do what I do best – conserving works of art on paper and parchment. It gives me a constant flow of new insights and ideas, adding to my skills.
I am passionate about what I do and I feel privileged to be able to work with so many unique objects. For me, conservation is my constant source of inspiration; perfection is my motivation, and ambition is my driving force.
Conservation does not necessarily mean bringing an object back to its original state. What is needed? What is not needed? What therapy will the object be able to undergo? Are the materials known?
I have a fully outfitted studio, a highly motivated team and a wide network of customers with multifaceted needs and requirements. What more can a conservator wish for?
Francien van Daalen: Curriculum Vitae
- Studio Van Daalen Conservation
- Studio Lingbeek & Van Daalen Conservation
- Jane McAusland Studios, Suffolk
- Bates & Baskcomb Studios (currently Deborah Bates), London
- Conservation Training, Amsterdam (currently a subsidiary of ICN, Instituut Collectie Nederland, Amsterdam).